HONG KONG, June 23, 2024 – Esteemed Cantopop icon Jacky Cheung inaugurated the Hong Kong “Finale” leg of his extensive 60+ World Tour today at the iconic Hong Kong Coliseum (often referred to as the “Coliseum” or “Red Hall”), prioritizing the smooth execution of the multi-night engagement over all else. Ahead of the highly anticipated first performance, Cheung, known for his meticulous professionalism, gathered with his crew backstage for a customary pre-show blessing, an event that drew over a hundred fervent fans eager for a glimpse of the superstar. Focusing intensely on health, the singer sported a mask and mandated that all staff and media personnel present also wear face coverings to mitigate any risk of infection, underscoring his commitment to completing the final stage of the international tour without interruption.
Following the brief backstage ritual, Cheung, acknowledging the assembled crowd and media with a traditional folded-hands greeting, appeared relaxed and receptive to a brief interview. When pressed about the significance of potentially surpassing the Hong Kong Coliseum performance record previously set by fellow Cantopop legend Alan Tam, Cheung offered a focused perspective. He stated that his current concentration lay solely on the successful completion of the remaining concerts, rather than on achieving new statistical milestones.
Addressing inquiries about his physical condition after nearly two years on the road, the “God of Songs” expressed confidence. “I believe there shouldn’t be any issues,” he commented, noting that performing multiple shows in increasingly familiar environments, such as the Coliseum, allows his physical endurance to adapt effectively to the demands.
Cheung candidly admitted to maintaining a state of high professional vigilance, differentiating his approach from the ease some performers might project. “You cannot be completely relaxed when putting on a show,” he stressed, emphasizing his inherently nervous disposition. He noted that the return to the Hong Kong Coliseum required minimal specialized preparation because the tour’s core content has been consistently refined over the past two years, incorporating minor adjustments and enhancements. Furthermore, he emphasized a scaled-back stage design, stating the absence of complex mechanical props, relying instead on fundamental hydraulic stage lifts.
The emotional weight of concluding the global journey was acknowledged, though quickly tempered by professional resolve. Cheung shared that while a sense of reluctance arose before arriving at the venue, his mind quickly shifted upon stepping into the Coliseum. “Once I am here, I have only one objective: a smooth run,” he affirmed, expressing his deep satisfaction in bringing the extensive international tour to its final destination at the famed Hong Kong venue.
When asked if the final leg would feature any surprise guest stars, Cheung offered a heartfelt reply, suggesting that the audience itself was the most significant presence: “Everyone who comes to see the concert—you are all my guests.” The series of performances are expected to continue drawing massive crowds, cementing Cheung’s stature as one of Asia’s most enduring and dedicated live performers. The successful completion of this final chapter will underscore his rigorous health precautions and unwavering commitment to his art.
