HONG KONG – Canto-pop icon Jacky Cheung brought his monumental “Jacky Cheung 60+ Concert Tour” to an acclaimed conclusion Friday evening at the Hong Kong Coliseum, culminating a global trek that spanned nearly two years and an extraordinary 324 performances. The final show, the 20th engagement in his Hong Kong “finale” run, marks a capstone achievement following the tour’s launch in Macau in 2023.
The atmosphere surrounding the venerable Hong Kong Coliseum was electric hours before the curtain rose on the last performance. Fans, many traveling from across Asia and beyond, thronged the vicinity, overflowing pedestrian bridges and main thoroughfares to catch a glimpse of the Mandopop legend.
In keeping with established tradition for major Hong Kong productions, Cheung participated in a customary backstage blessing ritual held in the Coliseum’s parking area Friday afternoon. This observance, intended to ensure the smooth execution and safety of the final event, underscores the importance of cultural practices within the high-stakes entertainment industry.
Following the ceremony, the celebrated singer emerged to acknowledge the vast crowds. In a display of gratitude, Cheung spent significant time interacting with his devoted base. Supporters, who came equipped with homemade banners and an array of gifts, extended a rousing farewell. The star was seen personally accepting tokens of appreciation, waving to the throngs, and posing for photographs with many in the enthusiastic audience, creating a celebratory and deeply personalized moment before his final stage appearance.
Cheung’s “60+” tour is widely recognized not only for its technical complexity and musical excellence but also for the sheer stamina demonstrated by the 62-year-old artist. Completing 324 shows across various international venues solidified his standing as one of the most enduring and commercially successful performers in Asian music history. The tour’s extensive run provided significant economic boosts to host cities, drawing international tourism and filling local venues consistently.
The successful conclusion of this tour reinforces the enduring appeal of the “Heavenly King,” who has maintained a dominant presence in the entertainment sphere for over four decades. His ability to sell out multiple consecutive nights in major metropolitan centers, sometimes performing six shows a week, highlights the fervent demand for live performances by classic Canto-pop artists.
As the curtain closes on this chapter, industry observers note that the tour’s scale sets a new benchmark for endurance in live Asian concert production. The final Hong Kong leg served as a powerful testament to the superstar’s lasting connection with the city that launched his career. Future concert tours, particularly those focused on legacy artists, may look to the sheer quantity and rigorous schedule of Cheung’s 324-show journey as a measure of popular appeal and professional commitment.
