Veteran Hong Kong entertainer Daniel Chan Hiu-tung secured his first major acting accolade, winning Best Actor for his performance in the film Deceive Me My Whole Life at the Fourth Hong Kong Bauhinia International Film Festival. The award marks a significant milestone in Chan’s 30-year career, culminating a journey that began with a nomination for Best New Performer in 1996 for the film Hu-Du-Men.
Chan expressed immense joy upon receiving the news, humorously noting the surreal moment: “I woke up and suddenly won Best Actor.” He extended his gratitude to the film festival organizers and the entire cast and crew whose efforts, he said, made the achievement possible.
From Screen Idol to Critically Acclaimed Father Figure
Deceive Me My Whole Life (originally titled The Ordinary Dad) is directed by renowned filmmaker Lee Lik-chi. Chan transforms into the protagonist, Luo Yang, a seemingly aimless drifter who undergoes profound self-redemption after finding true love and accepting the responsibility of caring for his blind daughter. The performance showcases Luo Yang’s evolution from a prodigal layabout to a truly responsible father figure.
The film deftly blends comedic rhythm with warm emotional depth, raising critical social awareness about overlooked communities, particularly visually impaired individuals and “left-behind children” (those whose parents work far from home).
Chan’s casting as the lead was, interestingly, a swift, last-minute decision on set. Initially invited by director Lee Lik-chi for only a cameo role as an “ideal father,” the director quickly recognized Chan’s potential for the complex lead.
“I am truly grateful for Director Lee Lik-chi’s trust and appreciation,” Chan stated. “I thoroughly enjoyed the filming process and the opportunity to challenge myself with a comedic role that I rarely attempt—it had humor, laughter, and touching moments. It was a major breakthrough from my usual on-screen image.”
A Family Affair and Mentorship Legacy
Further enriching the film’s authenticity was the on-screen collaboration between Chan and his eldest daughter, Chan Tsz-po (Duo Duo), who plays a cameo as the younger version of the protagonist’s daughter, Keke. Chan initially believed using their genuine father-daughter bond would assist Duo Duo, who was five years old at the time of filming, in portraying the emotional scenes. He quickly realized the benefit was mutual.
“Thanks to Duo Duo’s commitment and understanding during the shoot, I was able to interpret the father’s inner world more closely, adding subtle and moving layers to the film,” he reflected.
The movie also reunited Chan with Director Lee Lik-chi and the late legendary Hong Kong actor Ng Man-dat, marking their first collaboration since the 1998 Lunar New Year film The Lucky Guy. Chan recalled the mentorship he received from Ng Man-dat, who passed away before the film’s release.
“I learned so much from Uncle Dat on set,” Chan shared. “He mentored me and once said, ‘While there are many ways to play a role, never turn in shoddy work on screen.’ This acting wisdom remains unforgettable.”
Broader Aspirations for Chinese Cinema
Chan also credited co-stars Myolie Wu and Michael Tse for making the production smooth, noting a great professional chemistry. His acquaintance with Myolie Wu dates back to the 1999 Miss Hong Kong Pageant, where he performed and she competed.
Beyond his personal victory, Chan remains focused on the bigger picture for independent cinema. He conveyed his hopes that this award, which will temporarily be housed by the film company, will draw attention and promotion to small- and medium-budget Chinese-language films in major festivals.
“I congratulate all the small and medium-budget winning films,” Chan said. “I hope more opportunities arise, and I can participate in more projects. After the New Year, I will receive the trophy and share videos with everyone.”
