HONG KONG – Esteemed Mandopop artist Keung To, a prominent member of the Cantopop sensation MIRROR, launched his highly anticipated nine-performance “LAVA” Live 2025 concert series tonight, May 17. The event drew massive crowds of devoted fans, often referred to as “Keung Candy,” who gathered hours before the curtain rose to participate in elaborate pre-show activities and fervent displays of support outside the venue.
The atmosphere surrounding the opening night was electric, characterized by a sea of organized fan engagement. Supporters flocked to designated Keung To fan zones set up near the arena. These areas featured various themed installations and photo opportunities related to the concert’s “LAVA” theme, with fans lining up eagerly to “check in” and capture enduring memories.
In a powerful demonstration of collective enthusiasm, thousands of attendees proudly held aloft meticulously designed light boards and personalized signage bearing the artist’s name. Large groups of “Keung Candy” converged outside the arena for synchronized group photographs, documenting their shared excitement for the star’s return to the stage. This communal gathering underscored the deep devotion and organizational capability of Keung To’s extensive fan base.
Keung To, who first rose to prominence after winning ViuTV’s reality talent show Good Night Show – King Maker in 2018, is known for his dynamic stage presence and ability to blend various music styles, establishing him as one of the most influential figures in contemporary Hong Kong entertainment. His sold-out concert series is considered a significant cultural event, reflecting the enduring commercial power and massive popularity of MIRROR and its individual members across East Asia.
The “LAVA” Live 2025 series spans nine dates, offering fans multiple opportunities to witness the highly produced spectacle. Industry analysts note that the scale of the tour—particularly the number of consecutive sold-out shows in a major venue—highlights the robust demand for live entertainment in Hong Kong following years of pandemic-related restrictions.
The success of the opening night not only solidifies Keung To’s status as a solo powerhouse but also reinforces the wider cultural phenomenon of Cantopop idols interacting closely with dedicated, digitally savvy fan communities. The rigorous pre-concert activities and collective gatherings act as a vital social component, transforming the musical event into a broader community experience for his supporters.
Following the initial performance, the remaining eight shows are expected to draw similar levels of audience participation and media attention, cementing the “LAVA” series as a benchmark event in Hong Kong’s 2025 entertainment calendar. The continued enthusiasm signals a strong cultural appetite for large-scale, high-caliber live music events in the region.
