A new travel documentary series featuring veteran Hong Kong actress Liza Wang, titled Taking Ah Jie to See the World, has been marred by confusion after promotional materials for a specific episode and one of its hosts vanished from the network’s official website. The variety program, which pairs Wang with younger male artists for trips to Australia, Japan, Morocco, and Bhutan, recently premiered its Australian segment on Tuesday, November 24, but subsequent sections have generated public scrutiny regarding their status.

The series concept involves four pairs traveling to diverse global destinations: Wang with Kalok Chow (Australia), Jarvis Chow (Japan), Leo Chiu (Morocco), and finally, Wang’s husband, opera veteran Law Kar-ying (Bhutan). However, observant viewers quickly noted that the segment focusing on Japan, which features host Jarvis Chow, has been conspicuously removed from the program’s dedicated page on the wireless network’s official platform. Furthermore, Chow’s name has been completely erased from the list of participating artists for the show.

This unexplained absence has fueled speculation that the Japan segment may have been abruptly pulled from the broadcast schedule. Adding to the mystery, Jarvis Chow, who is nominated for “Best Male Host” in the upcoming network anniversary awards, had this specific program omitted from his list of nominated works, while the three other hosts—Kalok Chow, Leo Chiu, and Law Kar-ying—all have Taking Ah Jie to See the World listed as part of their nominations. This stark discrepancy underscores the uncertainty surrounding Chow’s involvement.

When media outlets inquired about the alleged removal of the Japan episode, the network’s Corporate Communications Department issued a non-committal response. A representative stated they were “unaware” of any such action and needed “further clarification,” adding that there was “no supplementary information available at this time.”

Jarvis Chow himself addressed the situation but offered little insight. Speaking to the press, he indicated he was “unclear” about the situation and directed reporters to seek information directly from the television company. The host’s brief reply further deepened the mystery surrounding his participation and the fate of the Japanese travelogue segment.

Industry analysts suggest that the sudden removal of content and host information from official channels is highly unusual and may indicate underlying production or administrative issues, though specific reasons remain speculative. The public disappearance of digital promotional content, particularly following a show’s premiere, often signals significant internal decisions or unexpected changes in programming strategy.

As broadcasting companies navigate the competitive landscape of digital and linear content, transparency regarding programming changes is crucial for maintaining viewer trust. The ongoing ambiguity surrounding the Japan segment of Taking Ah Jie to See the World highlights the sensitivity of host nominations and content scheduling in major annual television events. Further clarification from the network is anticipated as the anniversary awards approach and the series continues its run.

Hong Kong actress Kathy Yuen leveraged her platform and personal journey on Tuesday in Wan Chai, serving as an ambassador at a youth development event where she emphasized mentorship and early intervention in child development. Reflecting on her own introspective adolescence, Yuen, now a mother, highlighted the critical importance of a strong parental bond, particularly anticipating the inevitable complexities of her four-year-old daughter Mak QQ’s teenage years. She stressed that quality time and proactive guidance are essential tools for navigating childhood challenges.

Yuen, recognized for balancing her acting career with a burgeoning entrepreneurial venture, revealed the demanding schedule of managing her bakery business, currently focused on developing specialized Christmas festive products. Despite the intensified workload, the celebrity stated her commitment remains firm to her family, including her husband, choreographer Dixon Mak.

Mastering the Art of Time Management

“I am learning to become a time management expert, carefully allotting time to effectively manage both my career and my family life,” Yuen said, aspiring to take her daughter on a family trip during the Christmas holidays. Her commitment to family is often documented on social media, where she regularly shares endearing moments with her daughter. Yuen jokingly addressed the concept of her husband feeling sidelined, remarking that their daughter holds the key to his affection.

Describing her daughter as “cute and considerate,” Yuen noted that a simple, heartfelt comment from the child is enough to melt her husband’s heart. She expressed optimism that as QQ grows up, their dynamic will evolve into a cherished friendship. She observed that her daughter, born during the pandemic era, initially displayed a reserved nature. However, frequent social gatherings with friends have significantly boosted the child’s confidence, leading to a developing “desire to perform.”

Film Success and Industry Support

Simultaneously, Yuen is focused on promoting her latest cinematic effort, the film Inside. She recounted that her husband attended the premiere, expressing pride in her collaboration with several top-tier actors known locally as “Film Emperors.”

Yuen shared the positive early reception of the film, noting that critics and viewers have offered high praise. This positive feedback fuels her dedication to participating in intensive promotional activities and meeting audiences in thank-you screenings, aiming for strong box office performance. Yuen’s public endeavors illustrate a modern approach to celebrity, intertwining professional success with genuine advocacy for family values and youth mentorship, utilizing her personal experiences to connect with the community.

HONG KONG — Celebrated rising star Jeffrey Ng King-sun marked a significant milestone in his acting career with the premiere of his first leading film role, the action thriller Killer #4, on Tuesday. Ng, alongside his Japanese co-star Sara Minami, walked the red carpet at the gala event, which drew strong support from industry colleagues, including tycoon Joseph Lau’s wife, Chan Hoi-wan (Gambie), singers Serrini and Kaki Sham, and popular television personalities Dee Ng (Ah Jeng), Alice Lau (Hillary), and Oscar Siu (Fat Cheong).

The premiere showcased Ng’s intensive preparation for the role, which involved a dramatic transformation. The actor revealed that he deliberately shed eight kilograms, achieving what he described as his lowest body fat percentage ever, to embody the character. This physical commitment, he noted, aimed to present an entirely new dimension of his acting to the audience.

Physical Transformation and Stunt Work Define New Chapter

Ng shared that the demanding action choreography in Killer #4 made it the most physically challenging production he has undertaken since entering the entertainment industry. Despite the arduous nature of the stunts, he expressed relief at completing filming without suffering any serious injuries.

This film also marked Ng’s first collaboration with Japanese actress Sara Minami. He praised her professionalism and dedication, noting that despite the language barrier, Minami was rarely responsible for missed takes (NGs). Ng, finding it a rare pleasure to work with a co-star younger than himself, expressed a keen interest in future collaborations, suggesting roles as diverse as romantic partners or siblings.

Minami reciprocated the admiration, describing Ng as “handsome, stylish, approachable, and professional,” making their joint experience extremely pleasant. She shared an amusing detail about their on-set exchanges: Ng often used Japanese phrases he had diligently learned to communicate with her. In return, the Japanese actress made efforts to introduce herself and converse using Cantonese.

When asked about the possibility of reuniting for a romance film, Minami expressed enthusiasm, adding humorously, “Of course I want to work together again, as long as the character doesn’t have to kill anyone.” She emphasized her aspiration to work with more Hong Kong actors in the future.

Peer Support and On-Set Intensity

The premiere also served as a reunion for many cast members of the popular variety show Erro, reflecting the tight-knit support network surrounding Ng. Fellow Erro star Kaki Sham emphasized the importance of attending in person, noting that as Ng’s first star vehicle, the film required their collective encouragement. However, another key member, Edan Lui Cheuk-on, was unable to attend due to prior work commitments.

Dee Ng, their co-star, injected some lighthearted anticipation, admitting her primary excitement was seeing Ng’s physique displayed on the big screen. The group further revealed that Ng had difficulty immediately shedding his intense character after the film wrapped. During the subsequent filming of Erro S4, his friends noticed he occasionally exhibited the sharp, intense demeanor suggestive of his Killer #4 role.

Regarding a viral comment made by rapper Tyson Yoshi about Ng frequently wearing high-end designer clothes even to the gym, Ng offered a self-effacing rebuttal. He suggested his style might simply elevate more affordable items: “Perhaps I just wear clothes that cost a few hundred dollars but make them feel like they are worth over ten thousand. It’s nice that he appreciates my look, whatever the brand.”

Killer #4 is poised to be a pivotal film for Jeffrey Ng, testing his range in the action genre and cementing his status as one of Hong Kong cinema’s most dynamic emerging talents.