• Veteran Hong Kong Star Celebrates 50-Year Career, Reveals Lingering Regrets

    HONG KONG — Celebrated Hong Kong artist and media personality, Lawrence Cheng Tan-Shui, known affectionately as Ah Tan, is embracing new chapters in his enduring career, marked by a recent collaboration on a new musical while reflecting on five decades of industry highs and lows, including a poignant personal regret linked to his early radio days. At 65, Cheng, who famously transitioned the 1980s radio hit “The Yuppie Fantasia” (Siu Man Yun Jau Gei) into a blockbuster film franchise, recently detailed his journey and persistent ambition during an interview on Commercial Radio’s Star Behind the Scenes program.

    The veteran media figure is set to launch a highly anticipated revival of The Yuppie Fantasia as a long-running musical this October, produced jointly with 27-year-old music prodigy, Andy Chan Yan-Shek, underscoring Cheng’s continuous pursuit of creative outlets.

    From Radio Sensation to Box Office Success

    Cheng’s career trajectory is deeply rooted in radio. Starting his professional life at Commercial Radio in 1978, he quickly became synonymous with the station, departing and returning multiple times—a history he now views with mixed emotions.

    His first major career peak arrived in 1983 while at Radio Television Hong Kong (RTHK) with the debut of the “The Yuppie Fantasia” radio drama. The series, which chronicled the life of protagonist Leung Kuan, rapidly spun off best-selling novels before being adapted into three films and two television series starting in 1989. The initial film installment alone earned over HK$16 million at the box office, solidifying its place as a contemporary classic.

    During the interview, Cheng recounted the challenging process of bringing the story to the big screen. Initially, director Taylor Wong expressed interest, but locating the lead actor proved difficult. Cheng approached several A-list stars:

    • Sam Hui enjoyed the script but humorously declined, stating, “I have eight-pack abs; I’m not a ‘little man’ at all.”
    • Alan Tam was keen but tied up with a two-year concert tour schedule.
    • George Lam reviewed the material and ultimately convinced Cheng that he should take the lead role himself.

    Despite his reservations about his own box office appeal, the project gained momentum after a fortuitous lunch with industry titan Chua Lam, who insisted Cheng star in the film. The movie’s success was also aided by a star-studded cast of actresses, including Carol Cheng, Cherie Chung, and Sibelle Hu. Cheng revealed he personally secured Carol Cheng for the role of his wife, Ann, with a simple proposal: “If there’s money, it’s fine!”

    The Unforgettable Six Pair Half Regret

    Despite achieving numerous professional heights, including a period as Deputy Head of Commercial Radio 2 in the late 1980s, Cheng admitted his biggest regret stems from a decision made early in his career—a consequence of his impetuous “three ins and three outs” history with Commercial Radio.

    Cheng’s first-ever job was at Commercial Radio, where he was part of the original lineup of the influential youth program “Six Pair Half” (6 Pair Ban). Nearing his graduation from Baptist College, he was offered a television post at Rediffusion Television (later ATV) and sought to juggle both roles. When Commercial Radio executive Winnie Yu declined his request, citing deficiencies in his current performance, Cheng, in a moment of youthful pride, resigned.

    While his subsequent television career saw him contribute to classic dramas like The Reincarnated Swordman and The Legendary Fok, Cheng recalled immediate regret over leaving Commercial Radio. That regret crystallized in 1980 with the release of the iconic Six Pair Half compilation album, on which he was conspicuously absent.

    “To this day, that album, and my missing presence on it, remains my biggest professional regret and failure,” Cheng stated.

    This desire to claim his place in radio history fueled his future projects. Upon returning to Commercial Radio in 1988, one of his first actions was to produce the “Ultimate New Generation” compilation album, which featured his song “Words Left for My Dearest.” He similarly produced a single during his time at RTHK.

    Now preparing to become a grandfather, Cheng attributes much of his success and later ambition to Winnie Yu, whom he considers a tough but invaluable mentor. Yu even contributed a chapter and proofread his upcoming book, I Failed, Hope You Succeed, highlighting their enduring professional bond. Cheng’s account offers a candid look into the sacrifices and motivations behind a long and successful career in the demanding world of Hong Kong media.

  • Charity Gala Adjusts Focus After Hong Kong High-Rise Fire Tragedy

    Charity Gala Adjusts Focus After Hong Kong High-Rise Fire Tragedy

    HONG KONG—A major annual televised fundraising gala in Hong Kong has swiftly modified its format and title following a devastating five-alarm fire that caused multiple casualties and affected nearly 2,000 households this week at Wang Fuk Court in Tai Po. Originally scheduled as “Joyful Tung Wah,” broadcaster TVB announced late Thursday that the event airing tonight, November 29, will continue under the new, somber title, “Compassion for Tung Wah,” placing an urgent emphasis on immediate disaster relief.

    The alterations reflect a significant shift in tone and programming for the celebrated charity telethon, which raises millions for the Tung Wah Group of Hospitals. Numerous high-risk and purely entertainment segments have been canceled to ensure the focus remains squarely on supporting the victims and the extensive community impacted by the inferno.

    High-Profile Performance Scrapped Amidst Tragedy

    Among the performances suspended was a highly anticipated, high-difficulty motorcycle stunt routine featuring prominent actor Benjamin Yuen, current Miss Hong Kong winner Miss Chan Wing-sze, and celebrity offspring Hugo Liu and Wallace Wong. The decision to remove the segment underscores the gravity of the situation in Tai Po.

    Speaking to media regarding the sudden pivot, Yuen acknowledged the difficulty of the change while stressing the collective goal. “It is not easy for a performer to adjust your mindset,” Yuen stated. “But for tonight’s show, we are united in our efforts to raise funds for everyone. We hope to help those most in need. Whether contributing financially or through effort, everyone can assist.”

    The tragic incident at Wang Fuk Court, a massive residential complex, necessitated the evacuation and temporary displacement of many residents. The immediate priority of the revised broadcast is to channel much-needed financial aid to the affected victims for medical care, temporary housing, and recovery operations.

    Shifting Focus to Disaster Relief

    The decision to rebrand and restructure the event indicates an increasing trend among major public institutions in Hong Kong to rapidly mobilize resources and sympathy following major civic disasters. The Tung Wah Group of Hospitals, one of the territory’s oldest and largest charitable organizations, manages vast resources dedicated to medical, educational, and community services.

    Experts suggest this shift transforms the event from an annual entertainment showcase into an essential, immediate emergency relief mechanism. By prioritizing testimonials and appeals directly linked to the Tai Po tragedy, the organizers aim to leverage the telethon’s vast viewership for maximum impact.

    The Hong Kong community is often praised for its resilience and willingness to donate generously during times of crisis. Tonight’s broadcast serves as a critical centralized point for citizens worldwide to contribute to the complex and lengthy recovery process now underway following one of the area’s most serious residential fires in recent memory. The altered program will feature appeals from community leaders and aid workers, providing viewers with direct ways to contribute funds critical for the victims’ immediate and long-term recovery.

  • South Korean Stars Promote Show, Express Sympathy Following Hong Kong Fire

    HONG KONG – Two prominent South Korean entertainers, Jinwoo Kim and Seowoo Kim, made a somber yet determined appearance in Hong Kong on Thursday, hosting a promotional event despite a recent tragic fire that gripped the territory. The pair, spokespersons for the touring production WILD WILD SHOW, appeared at a dessert shop in Kai Tak, drawing over 20 enthusiastic fans, even as they acknowledged the community’s sorrow.

    The artists arrived dressed in black and white attire, a deliberate choice intended to express their condolences following the devastating five-alarm blaze in Tai Po’s Wang Fuk Court, which caused several casualties earlier this week. Jinwoo Kim, who served as a “one-day shop manager” during the promotional activation, described feeling a “heavy heart” upon attending the public event.

    His colleague, Seowoo Kim, noted that while he had been eagerly anticipating his return to Hong Kong after performing here several months prior, news of the immense fire tempered his excitement. “We sincerely wish safety and peace for all Hong Kong citizens,” he stated during the brief Q&A session.

    The dual roles of celebrity and ambassador required the duo to balance professional obligations with public empathy. They successfully navigated the promotional requirements of the WILD WILD SHOW, an adult performance known for its demanding physical routines.

    Fitness and Future Plans

    The pair, known for their physically fit physiques, addressed the challenges of maintaining their strenuous performance standards. They explained that intense physical exertion during performances acts as their primary form of exercise, making additional dedicated workouts largely unnecessary. Instead, they focus on maintaining a consistently healthy diet.

    Jinwoo Kim conceded that the physical toll required to maintain their stage conditioning is challenging, but framed it as a professional necessity. He emphasized the motivation derived from audience appreciation, saying that the positive response “makes it worthwhile.”

    Looking ahead, the artists confirmed travel plans for next week, where they are scheduled to attend an event in Macau. They also expressed strong desires to return to Hong Kong for future performances, potentially as early as next year.

    “My first experience performing in Hong Kong was exceptionally positive, and I truly hope we can come back soon,” Seowoo Kim remarked, underscoring the city’s importance as a stop on the international entertainment circuit.

    The appearance highlighted the intersection of global entertainment and local affairs, with the touring celebrities using their platform to acknowledge a moment of local tragedy while fulfilling their ambassadorial duties for the widely anticipated WILD WILD SHOW. Their acknowledgment of the Tai Po tragedy resonated with the small crowd, showcasing a moment of cross-cultural solidarity.